vinyl only edit label hodstash is back with three anonymous cuts geared for the dancefloor. 12 inch vinyl in manilla sleeves

todh teri announces the launch of its debut release,with a limited vinyl only edition. todh teri is the revival of the golden era in indian cinema. its the resurgence of indian disco, funk & cabaret from the 70s , 80s & 90s. deep in india vol.1 goes back to its homegrown roots and gives us three classic gems. each edit retaining its original flavor & a little something more to take to the dance floor.todh teri polishes off each track with a signature groove if its own. ten seconds into an edit and you are deep in india! in the past, todh teri has brought this style of music to berlin’s clubs like rummelsbucht & wilde renate. the act is scheduled to showcase in july at sispyhos, berlin & set for a very special live debut at wilde renate, this august. in an interview with todh teri, red bull said - indian artists have been loath to touch anything bollywood and understandably so… step in todh teri who wants to connect the lost world of indian disco with western club sounds. teri understands that most indian artists are (or were) not sure about edits, because without proper execution, they can be easily clubbed as mainstream bollywood remixes.

australias superbreak crew return with their 2nd release this time bother j teams up with aston agassi for a funky 4 tracker. superbreak has released a number of singles on their own self-titled imprint, and have set their sights on breathing new life into dusty obscure soul funk disco and boogie nuggets. superbreak s dj style reflect their productions, the all action, diversity and the constant surprises at every turn, is where its true strength lies, combining slo-mo boogie, groove laden disco, quality house, 70s funk rock and party funk/boogie and always adept at reading the crowd thanks to combined decades plus experience behind the decks, they pride themselves on getting the crowd moving, whether they re into boogie bombs, sleazy deep house, party funk or deep house/disco.

after 4 years of radio silence, prototypes is proud to announce its first vinyl release. wavefunction collapse by coefficient was first released back in 2011 and its among prototypes best-selling tunes.

following the success of ‘ride’ with miss kittin, eminent sci+tec founder dubfire returns with another chaos-conjuring techno composition. previously the sole-preserve of his epic sense-blurring hybrid show, dubfire is finally unleashing ‘dust devil’… his first solo release in several years, ‘dust devil’ is all about precision momentum. a move that dubfire’s made his signature, you can physically feel movement and destination throughout. especially as we reach the short breakdown where the riff revolves faster and higher, providing space for the echoed stabs that whirl and twist around you intensely. as the drums re-ignite, the riff is suddenly converted into groove energy as the jack-minded persistence brings the elements back together with pure focus. this is what ali has to say… “this was an instrumental i had done that i wasn’t quite sure what to do with. it wasn’t strong enough for a lead single and it always felt as though there was something missing, perhaps a spoken or sung vocal. so i sort of put it out of my mind until it was time to compile the music for the hybrid show back in the summer of 2013. once i had the backbone of the set list, along with the visual look, there seemed to be a more defined mood and look. and when i happened upon this track again it seemed to have been tailor-made for this show. it was also nice to insert something no one had heard before to break things up a bit.

it took me a couple of years get invited to christophe de groot’s (aka circadian rhythms) homebase, and a couple more years to dive into his sonic archive. but time tells and basic moves 02 is what came out. the two tracks were recorded at earguard studio in brussels around 1996, at a moment when his interest was moving away from club music towards other golden musical horizons. “frequency” is a macro tech-house track in mid tempo.
i’m super happy i could archive it on wax because we almost fucked up the master dat tape by blowing up the player during a marathon listening session at his place. we had to open the device, unroll the tape across his house (full of records) and fold it back into the mini dat cassette. after a few hours and twenty metres of tape, the problem was solved and the tracks archived: “a dose of authenticity at a time of post-counter-cultural stagnation”. “house speaker call” originated in proto-techno forms. christophe never sees techno as a type of music but as a process. as a producer, collector and deejay he always dives deep into authentic forms of electronic music. deg’s antic personality shines out in the middle of the harsh beat-driven electro/techno track like a hopeful melody passing by on its elliptic orbit. tune your cells into his vibrations and get ready for these two timeless club tracks.

neon finger strikes back! release number four starring midnight runners is here! a full time ultra delicate piece of disco-funk and boogie where the indonesian band, headlined by munir, will take our minds away. a mandatory release for all weird funk lovers.

chicagoan artist vincent floyd has been releasing music for 27 years now. with stand-out records for the legendary dance mania and some more recent outings through amsterdam connaisseurs rush hour recordings, vincent floyd crafted a 4-track package of original cuts, which will be released as the seventh instalment in the pulp series. the vigorous sounds of “circles (dub)” consist out of loose percussion, piercing synth work and a snappy vocal that cuts through at just the right moments. in the classic style of a sizable amount of dance records throughout the earlier days of dancefloor-music, an instrumental version of “circles” is including on the a2 position. “skewed reality” is an extravert piece of music that revolves around an emotive synth lead and nicely timed drums with a very human feel to them. the soothing pads form the back bone of this journey through exalted melodies. “morning storm” serves as the pulp07 grand finale. in this cut vincent again showcases his ability to mould many melodic elements into a cohesive sounding piece of music. “morning storm” is a bright piece of work with delicate melodies and beautiful playful drum patterns.

3 overlooked jams on one 12inch single, excavated from the deepest realms of the tk disco vaults. remastered, represented and brought back into focus for 2017s dj bags and dance-floors. side a sees wizzdom s 1980 boogie jam free bass kicking off proceedings. a p-funk-ish, low slung jam indeed, it has everything you d want including some furious five esque shouts of free-bass! weaving in and out of the mix. this one is a true heads cut, one for the diggers! over on side b we get jimmy bo horne s slamming is it in? - a stomping piece of disco-funk that in the right hands will cause maximum damage. also, jimmy s mildly double-entendre lyrics are hugely entertaining! following up we have a cut from herman kelly & life, a refreshing love was an lp only release and is some serious downtempo latin tinged soul super soaked in miami sunshine! all in all, 3 majorly overlooked gems nestled away in the tk archive now brought back into the light. as usual, these tk represses are always done in the proper manner. 100% legit re-edits, from the archive, remastered and released in conjunction with henry stone music / tk disco - miami fl.

moscow based multi-talent impish has been steadily honing his skills since 2013 working through labels such as program, fokuz recordings and his own fast rising occulti music imprint. it s that last label that saw him release the critically acclaimed silence lp back in 2016. fast forward to the summer of 2017 and a new album project the hush lp is set for release through all quality physical electronic music outlets around the world.
being the perfectionist that he is impish continues to impress working on crystal clear music productions where impeccable drumwork is combined with organic touches and progressions. this album sampler which features the two tracks can’t feel and that’s right is no different: it’s written on the fine line where driving beats for the dance floor meet harmonies for the mind and soul.
look out for the sampler dropping on 12” vinyl near the end of june. the full album will be released late september on 3x12” vinyl and all digital formats.

cult organ horror 7inch from west flanders, belgium. 12- picture sleeve + linernotes on the back. restored & remastered

newcastle-born, mexico-based man power debuts on optimo trax with two psychasonic missives cut extra loud for optimum sound system performance. we asked man power for some words about this release and he told us - -both tracks sound different, but they re both from the same place in as much as they represent a conscious effort by me to strip back some of unnecessary niceties in my music and really sharpen my focus on what makes people dance without crossing the fine line of what makes me sound like me.”

benjamin brunn is back with two long turn jams. -i dream, sometimes i think- is a brunn signature track build on a detroitish bass line that fits perfectly to bright, melodic synth chords. -(t)issue - a shoe - uwe- on the flip side is made of reduced pattern music slowly growing into solid space loops. growers in full effect.

the snooze fest is over and we’re back in the saddle with the first output from colin la plante aka the mole aka half owner of this imprint. he’s been touring up a storm and playing out a lot of new music we’re excited to share with you this year.
spicy noodles are something colin thinks everyone can love…not one at a time…but by the bowl.
this four tracker definitely shows off “new directions” for the mole – nothing too outlandish mind you, but the path he chose with the title and crowd favourite “gelb grun blau” definitely has these tracks leaning towards the centre of a dj sets vs. beginning or end…spiralling kick drums with a fine grind blend of digital synths, analog synths, drum machines and the occasional samples here. vape-house anyone?
the closer “back in the studio game” is a beatless one created just for the sunrises of your life.

london’s ghost writerz are back with a banger! following a slew of releases on tru thoughts and a recent mixtape -welcome to ghost town- heating up the streets, jimmy screech and sleepy time ghost return with a big splash on nice up! records. based around a familiar reggae riddim, the track tells the tale of jimmy’s foundation in soundsystem culture, starting in the 80s and name-checking legends such as shabba ranks, yellowman, smiley culture along the way. as the riddim flips we shift forward a generation, 90s dancehall and rap dominate, giving props to hip hop royalty such as busta rhymes and 2pac, then finally firing off a huge jungle climax, dripping in enough amen breaks to set the dancefloor alight whilst giving a little history of the musical heritage behind ghost writerz.

“god loves detroit” is terrence parker’s new album due for release june 30th on planet e communications (detroit). this new album features tp collaborations with coco street, and additional projects with merachka (who co-produced, co-wrote, and sings on the first single entitled “don’t waste another minute” which also features a remix by london’s as i am) released in february 2016.

after delivering the fh05, label co-owner pablo tarno is back at the controls with the fh09. the a-side features the more clubby cuts, ranging from the broken beat and dramatic jazzy piano chords of “horizons” to the more driving house beat and playful synth melody of ‘gunkan”. the b-side is all about the laidback grooves, “bitchplease” is a heavy dubby bass affair with serene pads that will lighten any mood, while “preemo” brings back pablo’s deep trip hop roots, closing off the record with a classy slowed-down number.

adesse versions brings his cut and paste ethos to razor-n-tape with a varied pair of edit heaters. on this stellar 12inch, rnt takes it back to their early format of one track per side, and these two cuts can certainly carry it. bumpin nyc is an anthemic latenite boogie cut, with a hypnotic bass line and hometown shoutout, while sistem- flips an afrobeat sample into a dark and groovy club track. vibes for days!

globex corp are back with a bang! featuring four untitled killer cuts from tim reaper & dwarde, with guest productions from worldwide epidemic and dev/null. the second volume in the series picks up where the first volume left off, with tunes covering a gammut of jungle and hardcore styles, from deep amen rollers, to dark 1993 style tearups! kill it with fire!

pt.ii sees tale of us collaborating with ovend, a french producer whose only prior output is a pair of eps for amandra s ahrpe label. mathew jonson, hunter/game and keith carnal are also among those making their afterlife label debut, while recondite, woo york and aether are back after previously appearing on the label.

the well know italian techno dj and producer from the 90’s michele mausi is back with this new project. his new label r3volution records will explore all the black hole of the techno music with a fresh sound perfect for your dancefloor.

henrik schwarz and !k7 are proud to announce a collaboration that will bare many different musical fruits. the first of these is a brand new label called between buttons, curated by henrik and focused on acoustic sounds and contemporary compositions. between buttons will be in partnership with !k7’s own neo-classical hub 7k!, and will kick off with a new mini lp by schwarz entitled works piano, followed by an ep entitled aphorisms by syrian artists khaled kurbeh & raman khalaf ensemble. mixing up old and new technologies, experimental and more classical approaches, the label will see schwarz forge new paths in his own work, as well as curating material from the peers he has worked with over the last 15 years. mainly made up of acoustic sounds, piano, string quartets, self-built instruments, percussion and intriguing classicist elements with a modern twist, there will be eps from piano virtuoso bugge wesseltoft, as well as other electronic producers wanting to show themselves in a different, more unplugged light. “in these times of constant turbo mode, likes and thumbs-up, we need to go back to basics,” says henrik. “we want to move away from the idea that relentless hasty productivity is a must, and instead take time to create space, to let ideas mature and to focus the mind on subtler sounds.” works piano will be a four track mini album that uses a yamaha disklavier as the starting point and reimagines it, reworks it and alters it with various digital and recording technologies. one track is a created with a reactive algorithm and one is composed purely from altered and processed piano sounds.

wie klingt es, wenn zwei künstler mit annähernd 30 jahren altersunterschied zusammen elektronische musik produzieren? im falle von mige ist das ergebnis ein provokantes stück clubmusik, das vor allem eines nicht ist: konventionell. mal auf das minimum reduziert, mal zu einer dichten klangwolke geschichtet (b-seite), mal verschoben und laid back, dann wieder gerade und nach vorne. das kontrollierte dem zufall überlassen, den hypnotischen moment einzufangen und nicht mehr loszulassen wird bei gerald peklar und mike myrs aka mige zum tonangebenden stilmittel.

hot on the heels of his cold outing earlier this month, bristol bewitcher batu makes his debut on hessle and marks their first release of their 10th year of business. timing is everything -marius ripples with an insistent broken drum pattern that s coded with latent funk and dubspace while of court creates even more room between the drums while maintaining the techno pressure. -noseme- flips for a more subaquatic session where the beats adopt a more relentless rolling formation while the groove develops more of a dubby sensation. finally dont brings us back up the surface with a soft beatless thrust. play safely.

nice price deal !!! jazz monkey consists of two chicago natives and avid house junkies, jay nice and jerome o. they come together to bring you their first house single. we start with soul power produced by jay nice, here he provides a funky bass groove with hard hitting drums and a soulful guitar, which is followed with enigmas down tempo track with laid back keys, powerful congas, and solid hitting kick drums. jacks groove produce by jerome o., is a party anthem that will get the crowd in a frenzy with hype bass drums, congas, crisp snares, and great vocals. train of thought is a definite throwback track that reminds you of a acid house record from the eighties but with serious drums and modern progamming. jazz monkeys mission strives on providing the best in house, disco, electronica, and afro beat to all who seek good music.

sicknote, j bionic and dissect are back with the second volume in the paws recordings series.
nowadays intros with relentless, rolling beats and percussion that chugs away before building you up to the kind of exciting bass drop that invokes a dancefloor energy straight from the 90’s. this is a groove that will rock any system.
occurrence begins building through a plethora of percussive treats and sounds that conjure up cosmic landscapes and alien horizons before lifting into an interstellar journey that has you moving through the stars at lightspeed.

for over two decades, dread recordings have time and time again maintained their seminal output with every release. managing to present a crossover of old school and more modern day techniques, they’ve given fresh life to the jungle riddims which made drum & bass so prominent during its inception. and for this subsequent release, label head honcho ray keith steps up to the plate, bringing with his a deliciously rolling selection of bass heavy proportions. with a massive back catalogue and an even more impressive roster, the figurehead’s addition goes on to expand the credibility heralded by both the artists and imprint. dread recordings continue to impress, with a history documented through their stellar releases.

154 s cult 2004 album strike is being re-issued on the producer s own nwaq/ape label on heavyweight 180g vinyl. mixing up ambient, techno and abstract designs into deep, sci-fi influenced soundtracks, it still sounds as fresh and unique today as it did back then, and remains an expensive and in demand record on discogs as well as an important album that has influenced many producers since.

after a great debut on eerie records with his unthinkable otherwiseness ep, polish producer michal wolski is back on marco shuttle s imprint with a brand new 12 inch.

social experiment regular jonathan lee is back with a standout fourth release for the imprint. here he delivers four driving club cuts aimed squarely at the dance floor and once again showcases his intimately production style to perfect effect. the raw grooves that are the trademark of jonathan s sound are on show once again, but there is a subtle evolution as this exciting producer’s sonic palette just gets better and better. don t sleep on this.

intergalactic, retro-futurist broken beat-ish track by legendary drum&bass producer seba teaming up with o persson under the east bound moniker. daniel savio follows with a laid-back spacey synth journey, spiced with a 70ies sci-fi flavor, yet with a modern approach. the b-side meanwhile takes off with a dark, yet progressive techno groover by young talent bonaca, ending with daniel araya s analogue-rich bomb, with a body-music type of vibe. operating under the radar, but romb records have so far been pushing an immensely diverse, yet cohesive soundscape of quality underground electronic music. the thirteenth release is no different, neatly summing up the label s genre-defying philosophy, presenting a four track collage of electronic mastery. that s how you do it!

dark entries present -a tape-, a double lpof early work by helena hauff, a dj and record producer based in hamburg, germany. at university she studied fine art, physics, and systematic music science. she previously was a resident at hamburg s golden pudel club, where she hosted a night called birds and other instruments. as a selector she weaves energetically between electro, new wave, and ebm. her music, often recorded live in one take, has a raw intensity to it. she debuted with an ep on werkdiscs back in 2013 followed by records for lux_rec and bunker sublabel panzerkreuz as well as two collaborative eps for pan, produced under the name black sites with fellow pudel resident f#x. ‘a tape’ is a compilation of helena’s earliest recordings from 2011 and 2014, originally released on limited cassette by handmade birds in 2015. clocking in at over 50 minutes, this collection spans hauff’s musical universe, from jacking acid-techno to krautish zone-outs and scuzzy feedback interludes. it’s tempting to consider it helena’s debut album, but she views these tracks as mostly forgotten sketches left on the cutting room floor. it a gripping collection of deep, sinister analog synth sequences, industrial dissonance, and heavy percussion. her equipment set up was a roland alpha juno 2, juno 60, tb-303, tr-707 and tr-808. both of the discs end with hauff stepping outside of the intentionally stiff, robotic rhythms, instead showing her skill at crafting less conventional electronic sounds. all songs have been mastered by james plotkin with vinyl eq and lacquer cut by george horn at fantasy studios in berkeley. the record is housed in a custom made jacket designed by eloise leigh, featuring a checkered graphic and black lines, highlighted by yellow and green for maximum visual tension. each copy includes a double-sided postcard with notes.

ltd 50% summer deal ... betterlatethanever is the 029th instalment of the lessismore label for eindhoven. this release took the long road in getting there, with in the meanwhile already the first lessismore baby born. finally we can only say it is better late than. this edition without label heads gideon & mbc, lessismore presents three spanish artists. pelacha is one of the best known female djs in spain. pelacha already released her first work on lessismore 015 with her well received super glue. the two new artists are vasco ispirian, who is known by everyone who visited the room in madrid where he has his residency. and hd substance, this production machine with already a long discography going back to the begin of the 90s, is now finally on lessismore. this edition is all about showing a different perspective of something that is essentially the same. so chordish love for spain.

as part of madhouse records milestone twenty five years in the business the label will be offering up a selection of projects over the next year, ranging from vinyl reissues, events, new releases on madhouse and its madtech sub-label, merchandise and more. here we see the imprint revisit some of its biggest hitters since its inception, delivering a selection of recent output from the like of t williams and james jacob, opolopo and roog and dennis quinn while revisiting one of label-founder kerri chandlers most loved records on the label. up first is roog & dennis quinn feat. berget lewis igohart which saw support from the likes of sante & sidney charles, shadow child and maya jane coles with its raw swing, gritty stab sequences and soaring vocals. the dub mix of opolopos lowlife follows and add a playful bounce to things via wandering organ hooks, spiralling vocals and an infectious musicality with its warm string and bright piano chords. t.williams and james jacob then head back to more direct dance floor vibes with the piano-laden together fuelled by weighty 909’s, string samples and smooth chords before kerris kaoz 6:23 mix of lafayettes better late than never gets a 2017 remaster, bringing even more shine to the soul infused new jersey house classic.

before coming back in september for a new year of new releases, lddlm gives you their current mood and state of affairs in the form of a sampler 12inch grieve not, but try again. luke abbot s mix of easters champagne has been in our drawers since the very early days of the label but still shines as new. no dust gathered. easters synth pop is turned into a slow, yet nor chugging, futuristic r n b number. this is our conception of sunrise music. tom of england grasps the metallic fury of mutado pintado s classic lazy boy and chops it in a grinder. decomposition / re-composition with of high industrial standard. a scene from a future, a from-a-lost-tape edit by our underbuy manfredas has been one of our biggest club tracks for the last year. check his recent boiler room ending to know how warped yet strangely hit-like it is. finally, cowboy rhythmbox decided of their own accord to do a club edit of golden bugs physical disco. we liked it, we release it. simple and effective. jugular attack

it’s been two years since jef k’s excellent silver network label was in action, so it’s great to see the french mainstay back in action, and with the excellent shade on board no less. the london-based artist brings an addictive, chicago-tinged kind of deep house to the table with “london social club”, all mr fingers bass and deeper-than-deep pads. “initial pass” is no slouch in the slouching department either with its luxuriant chords weaving around a subtly stomping beat. parisian legend ark takes to “london social club” and does a fine job of chopping up the original with his micro-editing ways. “all alone (shade morning remix)” is the perfect closer with its dreamy melodics and 80s boogie inspired beat.

uffe is back with a two tracker that will set your pants on fire. the a side is a fresh take on pharaoh sanders 1974 cult classic love is everywhere an eleven-minute journey through broken piano melodies, layered vocals, partytime cowbell rhythms and heavy sub. the b side rytme version unfolds over eight minutes and is a dubbed out instrumental bomb of claps, hypnotic cowbells and added synth chords further building the suspense. peak time alert!

il bosco is back on wax! better late than never - this one s been in the mixer, the blender and on the shelf for months or even years! the red laser masterblaster comes very correct collaborating along the way with manc label comrades metrodome & starion. mind melding synth jizz is combined with electro chicanery & spicy dub aesthetics. 100% rave tested from manchester to berlin to anglesey. limited to 150. hand stamped labels and theory insert from il bosco.

monosoul is back on tieffrequent with 4 timeless and classical cuts focussed on the important elements of housemusic...with love for the dancefloors, clubs and basements of this universe... on the a-side you have „make em match“, a rough and steady house-groove containing a constantly bouncing bassline, a deep chord-pattern, a complex percussion-cluster and a well infixed electric piano...all elements are perfectly balanced, finalized and formed to a completed floorfiller. then there is „monument street“ after which the ep was named. starting really deep and minimalistic it developes to an impulsive und powerful song. organic pads, pulsating deep chords, a rhythmic bassline and well arranged drums make „monument street“ flowing impressively from start to finish. the b-side starts up with „hot concrete“, a blazing, drum-driven basement-groover. with a sharp deepchord which is wrapped-up in several padsound-patterns, monosoul creates a very own athmosphere. in combination with an impulsive bassline and a distinct percussion- ensemble „hot concrete“ beats time on the floor noticeably. finally „life on the red island“ as the perfect final track brings the „monument street ep“ to an end. it builds up by adding small bits and pieces very subtly to a point you recognize a pulsative deephouse beauty. the remarkable bassline and the concise and bouncing kickdrum are casted in a flowing deep sounded carpet full of hope. „life on the red island“ disappears to where it came from and leaves you with strong impressions. the „monument street ep“ gives an insight into monosoul s impressive understanding and definition of house music which you can hear on 4 tracks loud and clear...thank you!

we are proud to announce the first release on the shop’s new label house of love vinyl with a strong ep by long time friend of the shop modaji. side a kicks off with the sizzling ‘razzle dazzle disco’ gyrating the house grooves alongside vocal demands that provide a nostalgic setting with a modern thinking twist. ‘times change’ is a thriller killer for sure with it’s metro area like hooks. on the flip there’s more of the same with “i wanna go dancing, i want to go have some fun” as the main hook for ‘lisa at the party,’ whilst transforming us back to strobelights and dry ice filled dancefloors. ‘headwork’ closes the ep off with a straight up jacking swinging groove supplemented with swirling pads and sharp stabs. this is one ep not to be missed.

versand ab 03.07.2017 , after a short break salty nuts is back with the first various artist release on the label. diego krause delivers a classic house tune which shapes the vibe and mood of the whole record. smabes is another special mannheim collaboration. sebastian werle (sedee) & fabe teamed up for a funky bass break beat tune which keeps emotions high...
on the flip: side the new, fresh duo mishel a & lost.act from moscow are adding maximum groove to the record with an advanced swinging beat that brings the right energy to the dance floors.
vinyl only release

the 7 year anniversary ep! dame-music is proud to present its 35th release, which also marks the special occasion of their 7th birthday. to celebrate, bloody mary has invited friends both new and old to the label for this various artists release. for the label s 35th release, bloody mary welcomes two new artists, the analogue cops and milton bradley, otherwise known by his alias alien rain. as well as this, she has invited label friend boo williams back to dame-music once again. the analogue cops present their track shonen jump on the a-side alongside milton bradley vs bloody mary s collaboration track tales from space . the b-side sees boo williams deliver a full side with his track animation .

khidja are back on malka tuti and this combo cannot and will not dissappoint. after their successful debut on john talabot s hiverndiscs, khidja continue their current direction of leftfield-club music exploration, this time in the form of microb, a track that is a wolrd of its own, fusioning heavy industrial vibes with their own take of -worldly music- to create this peak time dancefloor bonanza. on the flip side salon des amateurs tolouse low trax delievers two takes on the original track, stripped down and turned upside down, adding those massive vocals. these takes are hypnotic as they are groovey and they complete a unique package for the modern dance floor explorers.

killer roots on both sides, perfect companion to his sings songs- album! double sided heavyweight roots 10inch from the late gladdy anderson. made around the same time as his killer sings songs for today and tomorrow lp (now back in stock, click here!), here again are two killer tracks with gladdys sweet vocals over hard riddims from his band the roots radics. the a-side made the rounds as a dubplate first, then the vocal and dub ended up on different albums, while the b-side saw release as a single and an album track in extended format.

a-side discomix, one of the rarest and best wackie s 12inches, b-side previously unreleased wicked 70s roots! killer vintage bullwackies! the happy love song was originally released on a tribesman 12inch, one of the least known but most killer wackies 12inches of its day. a propulsive rhythm is behind the group licking back the tune cut by the iq s in jamaica a couple years earlier. the b-side was retrieved from tape, an unknown vocalist extolling the virtues of the roots rock reggae coming from wackie s studio in the turbulent new york city of the 1970s. a must have for all wackie s diehards, another level of the pyramid unearthed, and more to come!

ltd 2017 repress ...melbourne synthesist harvey sutherland brings four stripped-back rhythm tracks to echovolt records for his debut 12inch. features a long edit of >q3< from last years limited cassette release, plus three new original cuts.

stallions! glenn underground strikes back, this time together with boo williams (as long time collaboration project, sju - strictly jaz unit) on deepartsounds!

the belgian duo „chassé- heats up the flux compensator and takes us on a hilarious time travel straight back to the mid 1990 s with their new ep „word up kids-. pumping chicago grooves meet dope down funk & soul loops – just the right mix to make you freak out on the mid-summer-dancefloor. these 12- is the dj-essential you need for surfin the incoming 90s revival wave. pretty much remarkable: „word up kids- is chassés vinyl debut – whats gonna be next? bigbait026 is the third installment of our random color special edition series. each record is a unique piece, because the color is constantly shifted during the production process. .... safe your copy!